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Lark Violin

GUSTAV HOLST Chamber Opera SAVITRI  BRITTEN Sinfonietta VAUGHAN WILLIAMS Lark
GUSTAV HOLST Chamber Opera SAVITRI BRITTEN Sinfonietta VAUGHAN WILLIAMS Lark
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Music Autograph Adolfo Betti Signed Photo 1932
Music Autograph Adolfo Betti Signed Photo 1932
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KING CRIMSON Larks Tongues in Aspic Remaster] CD
KING CRIMSON Larks Tongues in Aspic Remaster] CD
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Readers Digest The 20th Century in Music Collectors Edition of 96 Originals
Readers Digest The 20th Century in Music Collectors Edition of 96 Originals
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Hints Allegations and Things Left Unsaid by Collective Soul CD Mar 1994
Hints Allegations and Things Left Unsaid by Collective Soul CD Mar 1994
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BERMUDA TRIANGLE Psych Folk ROGER and WENDY PENNEY Anazitisi SEALED 180 GRAM LP
BERMUDA TRIANGLE Psych Folk ROGER and WENDY PENNEY Anazitisi SEALED 180 GRAM LP
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Hints Allegations and Things Left Unsaid by Collective Soul 1994 Used Music CD
Hints Allegations and Things Left Unsaid by Collective Soul 1994 Used Music CD
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A Collision by Dave Crowder CD Sep 2005 Six Steps Records
A Collision by Dave Crowder CD Sep 2005 Six Steps Records
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Hints Allegations and Things Left Unsaid by Collective Soul CD Mar 1994 At
Hints Allegations and Things Left Unsaid by Collective Soul CD Mar 1994 At
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Billy Ward And The Dominoes 1st Press VERY RARE DL 8621
Billy Ward And The Dominoes 1st Press VERY RARE DL 8621
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Larks Tongues in Aspic Remaster] by King Crimson CD Oct 2000 Editions
Larks Tongues in Aspic Remaster] by King Crimson CD Oct 2000 Editions
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Starless and Bible Black Remaster] by King Crimson CD Oct 2000 Editions
Starless and Bible Black Remaster] by King Crimson CD Oct 2000 Editions
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Brothers McMullen CD Aug 1995 Arista Sarah McLachlan
Brothers McMullen CD Aug 1995 Arista Sarah McLachlan
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Collective Soul Hints Allegations  Things Left Unsaid
Collective Soul Hints Allegations Things Left Unsaid
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Inner Peace for Busy People Music to Relax  Renew CD
Inner Peace for Busy People Music to Relax Renew CD
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Hints Allegations Things Left Unsaid COLLECTIVE SOUL
Hints Allegations Things Left Unsaid COLLECTIVE SOUL
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The Brothers McMullen Soundtrack CD Seamus Egan
The Brothers McMullen Soundtrack CD Seamus Egan
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3CD Classic FM Smooth Classics Ultimate Collection
3CD Classic FM Smooth Classics Ultimate Collection
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1 CENT CD Jimmy Somerville Dare To Love dj USED
1 CENT CD Jimmy Somerville Dare To Love dj USED
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Hints Allegations and Things Left Unsaid Atlantic]
Hints Allegations and Things Left Unsaid Atlantic]
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Vaughan Williams: Fantasies; The Lark Ascending; Five Variants Vaughan Williams: Fantasies; The Lark Ascending; Five Variants

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Violin for Relaxation Violin for Relaxation

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Brainwave Symphony (Box Set) Brainwave Symphony (Box Set)

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Laurie Anderson: Homeland, The Story of the Lark Laurie Anderson: Homeland, The Story of the Lark

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The Lark Ascending: Romance for violin and orchestra Reduction for violin and piano The Lark Ascending: Romance for violin and orchestra Reduction for violin and piano

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lark violin

How to Build a Weissenborn Acoustic Slide Guitar

Recently, I finished building a slide acoustic guitar, a weissenborn, in fact, I had for many years intended to do this but had always put it off. One of the reasons was, that it 'wouldn't be good enough'...quite reasonable, one supposes, under the circumstances. I cant begin to tell you exactly how many times I read through my guitar building books scouring through them totally and completely sucking every scrap of knowledge from them!

What is the great secret of how Martins, Gibsons, Taylors, Fenders, Gretsch's and the like, sound so classy?? The answers should be clear really. They are made cleanly and beautifully from very good soundwood and the best materials and always are finished off to look so shiny and squeaky clean in the store. However, some of these legendary guitars dont always play and sound quite like their price tag would lead you to believe, I have discovered.

Why is it that some guitars are definitely better than others from the same stable?

The answer is not easy to come by, I believe. As a boatbuilder, I really do believe that some guitars suffer from 'trapped in humidity" when they are manufactured in the first place. This can have a couple of negative effects right from the getgo. I firmly believe that there is a 'magic figure' of humidity in every different kind of wood that good guitars are made of. As there are many, its clear to see that not all would have been sprayed or shellacked at the exact moment that the timber's moisture content was at its premium condition.This is a large factor, I'm sure.

Take for example, a guitar that I once owned. It was a very old (1970's maybe earlier) twelve string Guild. The sound was astonishing. It was as light as a feather and when it behaved itself was an amazing guitar. It would sing, it was loud and it sounded so good. Other days ,when I took it from it's case it wouldn't tune. it was dull it would NOT stay tuned for one minute and it sounded cheap and nasty, like a real el cheapo guitar. I tried to play it on a few gigs but gave up in frustration and started to leave it under the bed, in it's case just like the guy I bought it from, the previous owner. He admitted that was why it was never used, he couldn't trust it. In the end I sold it, and wasn't sorry to see it go.

That was about fifteen years ago and it is only now that I do regret selling it. The guitar was originally owned by the legendary Long John Baldry and was played on "Let the Heartaches begin" The guy I bought it from was Paul King ex-Mungo Jerry, so it had a great history and would be a real collector's item now.

The whole point is here, is that I think, but I can't prove it, that it suffered from excessive humidity when it was built. The moisture was sealed in or never dried out all in the first place. This is no slur on Guild who make some of the finest guitars in the world , but that one was a definite 'monday morning guitar' It happens, right? As the temperature varied, the soundboard would move excessively putting it out of kilter.

I'll bet that some of you out there have some really top name guitars that sound not so hot? right?

One other reason I think that some guitars sound so bad is that they are sprayed too heavily with these 'plasticky laquers' that, in my humble opinion, kill the sound totally. It is no coincidence that spirit based finished guitars sound so bright is that they are not being 'suppressed' by a heavy coating of laquer on top...soundboards are supposed to resonate, right?

One good decision when I made the Weissenborn was that I used 'Shellac' or 'French polish' as it is called. I am tickled to say that it sings, like a lark and the sustain is boggling! Maybe I guessed right!

After all it would take a gaggle of sound analysts with a whole truckload of audio gear to prove it...To show how difficult it is to pin down, it is a known fact that hundreds of makers and players have tried to copy the exact sound of an original Stradivarius violin, but they simply can't... and they dont know why!

When you build your guitar, take a few chances and THINK about it... it's only a few pieces of timber, and it is supposed to be fun, right?

About the Author

Terry Buddell is a boatbuilder and author and lives on his boat in Australia.Terry designs snmall boats and recently finished building a weissenborn acoustic slide guitar. He has written a book about the guitar called 'How to build a weissenborn"and you can check out more info and see pictures of the guitar and hear a sound clip on www.buildaweissenborn.com

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